Then you can hop on the Met line to Watford and see the whole platform recreated at the franchise’s studio tour.
Cut snake pommie and chris professional#
It’s a cottage industry these days, with a professional photographer on hand to capture the moment and a Harry Potter shop nearby.
Cut snake pommie and chris movie#
Neighbouring St Pancras Station, with its more striking gothic facade, was used for the station’s exterior shots – a decision that had Londoners grumbling about accuracy in a movie that also features a flying car and a bank run by goblins. Possibly to discourage people from attempting it, the station has its own magical Potter photo op: a luggage trolley embedded into a wall between the real platforms 8 and 9, providing the joyful illusion that you’re heading for Hogsmeade Station rather than, say, Leeds. Harry Potter famously left for Hogwarts by running through a King’s Cross Station wall and emerging at Platform 9¾. Check with their official sites by clicking on the main images for the latest info.įrom Cape Town to Amsterdam: these are the 50 most beautiful cinemas in the world. NB: Most of the locations on this list are either reopening or planning to reopen. Oh, and you can check into the cinema hotel where you dial ‘007’ for room service. And if none of that tickles your DVD collection, look out for the high school where Ferris skivved off and the Breakfast Club did detention. There are three lots of iconic staircases, a prison or two, a couple of boats, and at least one crashed train. It ticks off everything from legendary film locations, to studio tours, to movie museums, to delis where you should always have what Meg Ryan is having. With that sense of escapism in mind, we’ve mapped out 101 places around the world that offer something for every film fan, cinephile and pop-culture nerd. Cut Snake is no Animal Kingdom, but it’s still got plenty of bite and blood, and will hopefully inspire more annoying ‘Aussie genre’ filmmakers to beef up their characters’ backstories.Remember the last time you went somewhere – anywhere – exciting? After a year parked on the sofa, movies have become our passports to strange, exotic places. However, there’s more than enough strength in the film to lift it above its foibles. It’s a weak choice for an otherwise nuanced and bold screenplay. There are also scenes that dance between condoning and demonising natural impulses, and an ending which trips lightly away from forcing a moral stance from the creative leads. His attempted rape of a prostitute, for example, seems heavy-handed, out of character and unnecessary. He has deep, compelling reasons for his behaviour, although occasionally he engages in momentary acts of brutality seemingly just to remind us of his violent potential.
The real surprise here is Stapleton – at first seeming like your average run-of-the-mill weightlifting tough-nut sociopath, there’s a true complexity to Pommie of which Blake Ayshford’s screenplay makes solid use. And speaking of one-note, Robert Morgan’s copper is pure caricature, and a scene in which he threatens Paula is almost comical in its aggression. His minimal dialogue makes him too conspicuous for one attempting to start afresh. Director Tony Ayres keeps the boil on from the word go, building tensions in unexpected places – there’s the classic hero’s dilemma of Merv choosing between his new life and the old, and another, more pressing question that lingers as subtext until bursting into the light.Īs for characterisation, Russell’s turn as Merv ‘Sparra’ Farrell is often frustratingly one-note. Brutish and charismatic, Pommie has just got out of prison, and is hell-bent on seeing Merv return to the world he left behind.įor yet another film set in small-town outback Australia, Cut Snake looks a treat thanks to Simon Chapman’s cinematographic efforts. Merv Farrell ( Alex Russell) is settling into a new family and a new life in Melbourne, complete with his own home and an engagement ring for his girlfriend, Paula ( Jessica de Gouw), when Pommie ( Sullivan Stapleton) shows up.
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